Wednesday, September 15, 2010

The Trilogy of the Father (1): The Son

Halia was intelligent, successful and beautiful, and did not need any man to look after her. Still, men played an important role in her life. It seemed that she suffered not alone from a wider disease of her time that affected mostly big-city professional women, and which had been diagnosed so strikingly in the television hit Sex and the City. Men on the other hand, of all walks of life, class and race, remained immune for this epidemic, or as Halia saw it, they rather leeched off of this disease of women to feed their egos, although technically leeches were hermaphrodites, but like leeches men eat their prey whole. And thus, when it came to men, Halia felt sucked dry. Asked if she would ever sacrifice her career and ambitions to sooth a man to devote himself to her, she answered resolutely no, absolutely not. But at the same time, there was nothing she craved more than a man to worship her, and she wondered if she had sacrificed herself already being without a man who loved her more than he loved himself. She thought of the goddess worship of Cybele in Ephesos, where Halia had vacationed last summer. Later, in early Christianity , the widespread goddess worship was replaced by the cult of Maria as the mother of Christ at the Council of Ephesos. What had happened in three thousand years that she now lived under the firmly established autocracy of men? In this patriarchal status quo, it apparently was too much a loss of face for men to love a woman beyond themselves. Is that what Gogol meant in his story The Nose? Do men really think that a loss of power threatens their success with women? Then how was it possible that all women with power were still single? Halia did not need a man to take care of her, but she did need a man to love her. Yet, she was intelligent, successful and beautiful.

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